

M
Studio Namu
Metal Art Jewelry
Nature remembered in gold and steel.
Nature remembered in gold and steel.

About Namu Cho
Namu Cho is a metalsmith and jewelry artist whose work combines nature-inspired forms with the traditions of Korean metalwork. Born in Seoul in 1955, he moved to the United States in 1996 and established Studio Namu in Maryland in 1999. After earning his second M.F.A. at Bowling Green University, he taught at several universities while continuing to develop his studio practice. His jewelry reflects this background in both teaching and making, with an emphasis on material, technique, and individual expression.
Branches, leaves, mountain formations, and flowing water provide a starting point for his designs. Rather than reproducing these subjects literally, he develops forms from memory and imagination, exploring curved lines, folds, and the suggestion of movement. Motifs drawn from Korean tradition add another layer of meaning, connecting the work to ideas of personal identity, protection, and good wishes. The resulting rings, bracelets, necklaces, and brooches balance sculptural expression with their purpose as objects to be worn.
His practice brings together Korean damascene, Damascus steel patterning, fusion, and forging. In damascene, gold is hammered into a carefully prepared steel surface, creating intricate patterns against the depth of blackened metal. He also prepares sheet and wire through processes including casting, forging, and rolling, allowing the material itself to play an active role in the design.
A recipient of the Louis Comfort Tiffany Foundation Award in 2003, Namu continues to explore the relationship between traditional craftsmanship and contemporary jewelry through distinctive surfaces, contrasting metals, and organic forms.
years of experience
Studio Namu established
Tiffany Foundation Award
About Namu

Namu Cho is a metalsmith and jewelry artist whose work combines nature-inspired forms with the traditions of Korean metalwork. Born in Seoul in 1955, he moved to the United States in 1996 and established Studio Namu in Maryland in 1999. After earning his second M.F.A. at Bowling Green University, he taught at several universities while continuing to develop his studio practice. His jewelry reflects this background in both teaching and making, with an emphasis on material, technique, and individual expression.
Branches, leaves, mountain formations, and flowing water provide a starting point for his designs. Rather than reproducing these subjects literally, he develops forms from memory and imagination, exploring curved lines, folds, and the suggestion of movement. Motifs drawn from Korean tradition add another layer of meaning, connecting the work to ideas of personal identity, protection, and good wishes. The resulting rings, bracelets, necklaces, and brooches balance sculptural expression with their purpose as objects to be worn.
His practice brings together Korean damascene, Damascus steel patterning, fusion, and forging. In damascene, gold is hammered into a carefully prepared steel surface, creating intricate patterns against the depth of blackened metal. He also prepares sheet and wire through processes including casting, forging, and rolling, allowing the material itself to play an active role in the design. A recipient of the Louis Comfort Tiffany Foundation Award in 2003, Namu continues to explore the relationship between traditional craftsmanship and contemporary jewelry through distinctive surfaces, contrasting metals, and organic forms.
years of experience
Studio Namu established
Tiffany Foundation Award
Take a closer look.
My inspiration comes from leaves, tree trunks, winding branches, and faraway mountains. I absorb these impressions and let them return through memory and imagination. Their free forms and continuous movement become the starting point for my jewelry.

Gold against blackened steel. Through damascene, Namu hammers gold into a crosshatched steel surface. Heat and an oil quench darken the steel, revealing the warmth and texture of the gold.

Forms shaped by memory. Impressions of leaves, branches, mountains, and waterfalls return through imagination, becoming organic lines and patterns in metal.

Line, texture, and movement. Malleable gold becomes sheets and wire that can be bent, twisted, and wrapped. Its flowing lines meet dark steel in patterns drawn from nature and imagination.
Collection Inquiries
Interested in a piece or curious about Namu’s work? Contact Studio Namu for questions about the collection and availability.



